Description

Signed verso Oil on canvas.

Initialled on the front.

How can Wood s swirling, numerous columns of Constable clouds, ominously shadowing a deserted football field below, where touchlines and goal posts assume miraculous significance, compete with our digital notion of the Cloud : an immense, nebulous repository of memory, filled with an intangible nexus of snapshots and documents and indistinct information, like an immense, cosmic library in the sky Max Waterhouse, Christopher P Wood, An Innocent Vision, 2021